Hello, I am Asai of a hi-Fi-Do record shop. This time, I found the interesting record. I want to introduce because I studied very much also individually.
Now, although I think that there is also much more familiar one, it is the record that I introduced this time. They are analogue Steinway digital Steinway / Masaru Imada solo. When I say at a word that is a plan recorded in 1979, it will record simultaneously an analog and in digital one, about the same studio performance.
First, it is an analog to the A( A for Analog ?). And digital recording is recorded on the B.
It is the report of sound quality. An impression is different completely. When I listened to an analog side, I thought that it was good. I immerse in the performance. I felt slowly that time passes. However, a digital side changes entirely. The first impression is the growth of low-range. Rather than an analog, it sinks clear and deep. But it is only it. I cannot immerse in music. I have noticed unawares only such analytic ways of listening to it where is good or what is the different from that. Digital recording (especially first stage) does not attaining to analog recording at all. However, I was surprised that there is much difference on the conditions of the same recording.
I picked up this record from 300 domestic board jazz which arrived this week. Since it has already ranked with the shop front, please drop in to the Hi-Fi-Do Record shop this weekend.